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PRAY AWAY

PRAY AWAY poster image

Former leaders of the “pray the gay away” movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance from more than a decade of trauma.

Directed by Kristine Stolakis. Produced by Multitude Films.

Premiering in competition in the 2020 Tribeca Film Festival.

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JESSICA DEVANEY (Producer) is a Brooklyn-based producer and the founder of Multitude Films, an independent production company dedicated to telling stories by and about underrepresented communities. Her latest film, ALWAYS IN SEASON (Independent Lens), premiered in competition at the 2019 Sundance Film Festival and won the Special Jury Award for Moral Urgency. She recently produced THE FEELING OF BEING WATCHED (Tribeca 2018, POV), dubbed “a real-world conspiracy thriller” by Variety; Cinema Eye-nominated ROLL RED ROLL (Tribeca 2018, POV), and Critic’s Choice-nominated SPEED SISTERS (Hot Docs 2015, NETFLIX), which The New York Times called “subtly rebellious and defiantly optimistic.” Additional credits include LOVE THE SINNER (Tribeca 2017, Amazon), CALL HER GANDA (Tribeca 2018, POV), NAILA & THE UPRISING (IDFA 2017, PBS), Peabody Award-winning MY NEIGHBOURHOOD (Tribeca 2012), and Ridenhour Prize-winning BUDRUS (Tribeca 2010). Jessica co-founded the Queer Producers Collective, produced Doc Society’s inaugural Queer Impact Producers Lab, and was a Sundance Edit and Story Lab fellow, Women at Sundance fellow, and Sundance Creative Producing Lab advisor. She received DOC NYC and TOPIC’s inaugural 40 under 40 Award, the 2019 Cinereach Producers Award, and is an AMPAS Documentary Branch member.

ANYA ROUS (Producer) ANYA ROUS is a Brooklyn-based Producer and Head of Partnerships at Multitude Films, an independent production company dedicated to telling stories by and about underrepresented communities. Anya co-produced the following critically-acclaimed films: ALWAYS IN SEASON (Independent Lens), which premiered in competition at the 2019 Sundance Film Festival and won the Special Jury Award for Moral Urgency, THE FEELING OF BEING WATCHED (Tribeca 2018, PBS) dubbed “a journalistic thriller” by The New York Times, and NAILA AND THE UPRISING (IDFA 2017, PBS), and co-executive produced CALL HER GANDA (Tribeca 2018, PBS). Anya brings a combined 10 years of experience in funding strategy and impact campaigns for stories that further movements for racial, economic, and gender justice. She formerly served as the Director of Strategic Relationships at Just Vision, as a grantmaker at the Nathan Cummings Foundation, and the coordinator of a multi-state oral history project at the Bob Bullock State History Museum in Austin, TX. Anya is a Sundance Creative Producing Fellow and an Impact Partners Documentary Producing Fellow. She is also on the board of Jews for Racial and Economic Justice.

CARLA GUTIERREZ (Editor)is the editor of the Oscar-nominated film LA CORONA and the Emmy- nominated documentaries REPORTERO, KINGDOM OF SHADOWS and FAREWELL FERRIS WHEEL. Her latest film, RBG, about the life of Supreme Court Justice Ruth Bader Ginsburg, premiered at the 2018 Sundance Film Festival and was theatrically released by Magnolia Pictures and Participant Media. RBG has become the highest grossing film for Magnolia. Carla’s recent film, CHAVELA, premiered at the 2017 Berlinale Film Festival where it won the 2nd place Audience Award in the Panorama section. CHAVELA went on to win both the Audience and Grand Jury Awards at L.A. Outfest, and the Audience Award at Frameline. The film has had a wide theatrical release in Mexico to rave reviews. She also edited WHEN TWO WORLDS COLLIDE, which won a Special Jury Award at the 2016 Sundance Film Festival and Best Documentary awards at Docufest, Madrid, Mumbai and Shanghai International Film Festivals. WHEN TWO WORLDS COLLIDE was nominated for a Cinema Eye Honors Award for Outstanding Achievement in Debut Film. Her work has screened at Sundance, Berlinale, IDFA, SXSW, Full Frame, AFI, Los Angeles Film Festival, HotDocs, Ambulante, among other festivals. Her films have broadcast/streamed on HBO, Netflix, Amazon, POV, Independent Lens, the Sundance Channel, the Canadian Broadcasting Corporation and BBC’s Storyville. Carla has been a creative adviser for the Sundance Edit Lab, and a mentor for the Firelight Producers’ Lab. She received a Masters in Documentary Film from Stanford University.

MELISSA LANGER (Director of Photography) is a Philadelphia-based artist and Director of Photography.  She recently served as Co-Director of Photography for CHEER, a Netflix docuseries which follows the Navarro College cheerleading team as they prepare to compete in a national championship. She currently serves as Director of Photography for PRAY AWAY, and was also a Producer and Cinematographer for ATTLA, a 2019 co-production of Vision Maker Media and ITVS. Her own art practice in experimental/found video and installation work informs her role as a DP, and she will oftentimes use archival cameras alongside her primary camera. She is a Cinema Eye Honors Nominee in Nonfiction Short Filmmaking and her films, including MY ALEPPO, have premiered and won awards at festivals internationally, including Telluride Film Festival, San Francisco Film Festival (New Visions Award),IDFA (ARRI IDFA Best Student Doc), ZagrebDox (Movies that Matter Award), and MoMA’s Doc Fortnight. She is a member of Vox Populi, an artist collective in Philadelphia, as well as SAL Film Group, a small group of filmmakers who contribute time and resources to fellow makers in early stages of development and ideation. She holds an MFA in Documentary Film & Video from Stanford University and a BA in History from Carleton College.

LAURA KARPMAN (Composer) is an award-winning composer and a tireless champion for women in music. With a doctorate from Juilliard, she brings a uniquely vivid, conceptual voice to her body of work that spans film, television, concert halls, theater and video games. The four-time EmmyÒ winner’s previous film and television credits include the Netflix fan-favorite romantic comedy, SET IT UP, Eleanor Coppola’s PARIS CAN WAIT, Francis Ford Coppola’s THE COTTON CLUB ENCORE, Fox Searchlight’s STEPand BLACK NATIVITY, WGN America’s award-winning historical drama series UNDERGROUND, PBS’ Peabody award-winning series CRAFT IN AMERICA, and HBO’s REGARDING SUSAN SONTAG. Across concert halls, Karpman is best known for her GRAMMY Award-winning album, Ask Your Mama, a multimedia opera based on an iconic cycle of poems by Langston Hughes, commissioned by Carnegie Hall. Karpman collaborated with The Roots and opera singer Jessye Norman on the piece. Karpman’s concert music has been commissioned and performed by the Los Angeles Philharmonic, Cabrillo Festival Orchestra, Concordia, the American Composers’ Orchestra, Metropole Orkest, Northwest Sinfonia, Orchestra of St. Luke’s, as well as the Detroit, Houston, National, New York Youth, Richmond, and El Paso Symphonies. In 2014, Karpman founded The Alliance for Women Film Composers; in 2015, she became the third woman inducted into the music branch of the Academy of Motion Pictures Arts and Sciences and one year later, Karpman was elected the first female governor of the music branch.

MYLES MARKHAM (Impact Producer & Consulting Producer) (he/him or they/them) has worked for almost a decade in grassroots Christian organizing to advance LGBTQ inclusion and racial justice in evangelical and or conservative churches. Myles is based in Atlanta, Georgia where they are pursuing a Master of Arts in Practical Theology at Columbia Theological Seminary and exploring the role of religion and faith within queer and trans communities of color. Myles loves liberation and postcolonial theologies, exploring their Japanese American/Native Hawai’ian identity, and their most recent work has been helping to coordinate the screening campaign for FLINT: THE POISONING OF AN AMERICAN CITY, a documentary that explores the topic of environmental racism and the critical question of how community poisoning happens in American cities.

Co-Producer
Lisa Valencia-Svensson

Executive Producers
Jason Blum
Jeremy Gold
Marci Wiseman
Mary Lisio
Amanda Spain
Daniel Chalfen
Jim Butterworth
Katy Drake Bettner
Johnny Symons
Julie Parker Benello
Patty Quillin
Nion McEvoy
Leslie Berriman

Co-Executive Producers
David Lee
Janet Tittiger
Jenn Lee Smith

Associate Producers
Colleen Cassingham
Paulette Marte
Ryan White

Archival Producer
Erin Chisholm

Associate Editor
Grace Mendenhall

Production Assistants
Alexa Ard
Ariell Lawrence
Weston McFarlin
Jot Sahi
Sasha Taher

ATTLA

ATTLA (Independent Lens 2019) tells the gripping but little-known story of George Attla, a charismatic Alaska Native dogsled racer who, with one good leg and fierce determination, became a legendary sports hero in Northern communities around the world.

Directed by Catharine Axley. Produced by Kristine Stolakis and Melissa Langer.

ATTLA is a Molt Films production and a co-production of Vision Maker Media and ITVS.

OFFICIAL SITE


Advisory Board

ADRIAN BAKER, Filmmaker

Adrian Baker has worked in animation (web/TV) for over ten years. His current project is INJUNUITY, a half-hour animated documentary using a mix of animation, music and real audio to explore modern American life from a contemporary Native American perspective, a co-production of Vision Maker Media. Even though he works as a producer and director of animated content, he has no formal education or training in the animation field. He comes to the table as a storyteller, with a background in writing that includes a BA from USC and an MA from San Francisco State. He has always loved animation as a form of storytelling. 

DELPHINE RED SHIRT SHAW, Author & Native American Studies Professor

Delphine Red Shirt (Oglala Sioux) is a Senior Lecturer in Native American Studies and in the Special Languages Program (Lakota) at Stanford University. She has a PhD in American Indian studies from the University of Arizona and has previously served as chairperson of the nongovernmental organization committee on the International Decade of the World’s Indigenous People. Red Shirt is the author of Bead on an Anthill: A Lakota Childhood (Nebraska, 1997),  Turtle Lung Woman’s Granddaughter (Nebraska 2002), and George Sword’s Warrior Narratives:  Compositional Processes in Lakota Oral Tradition (Nebraska 2016). 

PHIL DELORIA, Author & Professor of History

Philip J. Deloria is Professor of History at Harvard University, where his research and teaching focus on the social, cultural and political histories of the relations among American Indian peoples and the United States, as well as the comparative and connective histories of indigenous peoples in a global context. His first book, Playing Indian (1998), traced the tradition of white “Indian play” from the Boston Tea Party to the New Age movement, while his 2004 book Indians in Unexpected Places examined the ideologies surrounding Indian people in the early twentieth century and the ways Native Americans challenged them through sports, travel, automobility, and film and musical performance.  He is the co-editor of The Blackwell Companion to American Indian History (with Neal Salisbury) and C.G. Jung and the Sioux Traditions by Vine Deloria (with Jerome Bernstein).  His most recent book, co-authored with Alexander Olson is American Studies: A User’s Guide (2017), which offers a comprehensive treatment of the historiography and methodology of the field of American Studies.  He is currently completing a project on American Indian visual arts of the mid-twentieth century, and coediting (with Beth Piatote) I Heart Nixon: Essays on the Indigenous Everyday.

JONATHAN KREISS-TOMKINS, Alaska State Representative

Jonathan Kreiss-Tomkins represents Sitka and much of rural Southeast Alaska in the Alaska House of Representatives. At twenty-five years old, he is the youngest member of the legislature. He cares deeply for rural Alaska and the issues its small communities face. Jonathan was born and raised in Sitka, and achieved the rank of Eagle Scout while growing up. He attended Yale College for three years before leaving school early and without a degree to run for the Alaska Legislature. Jonathan has started three programs that inject young people and energy into Sitka and have brought well over 100 young people to volunteer, work, or live in Sitka. He also helped start the Sitka Fellows Program, a multidisciplinary residency that brings up-and-coming artists, scientists, and entrepreneurs from around the world to Sitka for seven weeks to work on their projects.

KRISTINE SAMUELSON, Filmmaker

Kristine Samuelson is a documentary essayist. Her works have screened at festivals worldwide, from Sundance to Seoul and have appeared on PBS and at museums including NY MOMA. She is the Edward Crossett Emerita Professor at Stanford University. Samuelson was nominated for an Academy Award for Arthur and is a member of the Academy of Motion Picture Arts and Sciences. She has also served on the Board of the Independent Television Service.

LEONARD KAMERLING, Filmmaker & Professor

Leonard Kamerling is Curator of Film at the University of Alaska Museum of the North and Professor of English at University of Alaska Fairbanks. He has produced numerous award winning documentary films about Alaska Native cultures and Northern Issues. His film Uksuum Cauyai: the Drums of Winter, about Yup’ik Eskimo music and dance, was named to the National Film Registry of the US Library of Congress in 2006. His most recent film, Changa Revisited, about a Tanzanian Maasai family seen from two points in time across a thirty-year divide, was awarded the Best International Film Prize at the 2016 ASTRA International Documentary Film Festival in Romania. Throughout his career Leonard Kamerling has been primarily concerned with issues of cultural representation in media and the role that documentary film can play in eliminating stereotypes and credibly translating one culture to another.

MICHAEL SMITH (1951-2018), Former Director American Indian Film Institute/American Indian Film Festival

Michael worked with Indian Peoples all his adult life. Beginning with the Seattle Indian Center (1972) as a peer counselor; to Cultural Education Coordinator (1973-1975) for United Indians of All Tribes Foundation, Seattle. At UIATF, he visioned and produced the 1st American Indian Film Festival, March 1975 at the University of Washington. Later the film festival was sponsored by the San Francisco Indian Center (1977-1978) and National Congress of American Indians (1979) where Michael served in public relations capacities. During this era, he organized the 1st National Indian Media Conference (1977). NIMC evolved to what is today Native American Journalism Association. AIFI was formally established in Culver City, California in 1979. Now, almost 40 years later, the American Indian Film Festival has screened over 2,000 film-works and remains a strong and viable media showcase for American Indian and Canada First Nations media makers, emerging and veteran.

NOELLE STOUT, Cultural Anthropologist & Filmmaker

Noelle Stout is an Assistant Professor of Anthropology at New York University (NYU) and a faculty mentor to the Native American and Indigenous Students’ Group at NYU. Her research and media projects explore how economic crises affect the intimacies of daily life. She is the director and co-producer of the award-winning documentary Luchando (2008). Stout earned her PhD in Anthropology from Harvard University, with a certificate in Visual Studies from the Sensory Ethnography Lab.

SAMANTHA GRANT, Filmmaker

Samantha Grant is an award-winning documentary filmmaker, journalist, and educator. Her documentary A Fragile Trust recently won The National Press Club’s Award for Media Criticism and the National Ethics Award by the Society of Professional Journalists. In 2011, Sam was named a BAVC MediaMaker Fellow, where she began work on the robust transmedia companion project for A FRAGILE TRUST. When she’s not shooting or producing independent documentaries, you can find Sam lecturing at UC Berkeley’s Graduate School of Journalism and Stanford’s Knight Fellowship program. Through her San Francisco based production company GUSH productions, Sam has created work for clients including MTV, ABC, PBS, CNN, NPR, FRONTLINE, FRONTLINE/World, and Al Jazeera International.

STEVE LINDBECK, former CEO of Alaska Public Media

Steve Lindbeck served as the CEO and General Manager of Alaska Public Media from 2007-2015, which includes KAKM-TV, KSKA-FM and the Alaska Public Radio Network. In that role he is responsible for leadership and oversight of a media organization capable of reaching audiences throughout Alaska. Previously, he had 30-year career in journalism and public affairs. He has also volunteered on many boards and committees, including the Anchorage Museum Association, the Alaska World Affairs Council, Big Brothers/Big Sisters of Anchorage, United Way of Anchorage, Anchorage Cultural Council, Alaska State Council on the Arts review panels, Downtown Anchorage Rotary, and Commonwealth North.


Partners

Alaska Film Archives at the Rasumson Library, University of Alaska, Fairbanks

Alaska Humanities Forum

Alaska Moving Image Preservation Association

Alaska Sports Hall of Fame

Frank Attla Youth & Sled Dog Care-Mushing Program

Where We Stand

WHERE WE STAND (DOC NYC 2015) is the Student BAFTA nominated short documentary on a controversial group of Mormon feminists fighting for women’s ordination in The Church of Jesus Christ of Latter-day Saints. Where We Stand was released by The Atlantic and is currently a Staff Pick on Vimeo.


Press

MS. MAGAZINE Think Mormons Can’t Be Feminists? These Women Will Prove You Wrong

THE ATLANTIC Editor’s Pick, The Mormon Feminist Fighting for Priesthood

BROADLY The Mormon Feminists Fighting for Women’s Right to Join the Priesthood

HOLLYWOOD REPORTER BAFTA LA Unveils Student Film Award Finalists, Jury Members

FEMINIST WEDNESDAYS Meet Kristine Stolakis, Director of Where We Stand


Awards

BAFTA (British Academy of Film and Television), Nominee Best US Student Film

Big Sky Documentary Film Festival, Nominee Big Sky Award


Past Screenings

DOC NYC. New York City, New York

Frontline Club of London, London School of Economics. London, England

National Gallery of Art. Washington, D.C.

United Nations Film Festival. Stanford, California

Black Maria Film Festival. Jersey City, New Jersey

SF IndieFest. San Francisco, California

SFindie’s CyberiaVR Film Festival. San Francisco, California

Big Sky Documentary Film Festival. Missoula, Montana

Athena Film Festival. New York, New York

Montclair Film Festival. Montclair, New Jersey

Rocky Mountain Women’s Film Festival. Colorado Springs, Colorado

Roxie Theater, Film Fatales Show Case. San Francisco, California

Fargo Film Festival. Fargo, North Dakota

Omaha Film Festival. Omaha, Nebraska

DOCUTAH. St. George, Utah

Athens International Film and Video Festival. Athens, Ohio

Thin Line Film Fest. Denton, Texas

Cantor Arts Center “Stranger Stories” series. Stanford University

West Orange Film Society. West Orange, New Jersey

NJ Young Filmmakers’ Festival Screening. Hackettstown, New Jersey

Capri Theatre. Montgomery, Alabama

Richey Suncoast Theater. New Port Richey, Florida


Community and Educational Screenings

Princeton University. Princeton, New Jersey

Sussex County Community College. Newton, New Jersey

University of Delaware. Newark, Delaware

Centenary University. Hackettstown, New Jersey

St. Mary’s High School. San Francisco, California

Middlesex County Vocational and Technical Schools
School of the Arts. East Brunswick, New Jersey

University of the Arts. Philadelphia, Pennsylvania

Monmouth University. West Long Branch, New Jersey

Sunstone West Symposium. Berkley, California

Sunstone Summer Symposium. Salt Lake City, Utah

Publik Coffee Roasters. Salt Lake City, Utah

Big Sky Documentary Film Festival’s “Filmmakers in Schools” series

Rocky Mountain Retreat for Mormon Women

College of Southern Idaho. Twin Falls, Idaho

Caldwell Merchants Association. Caldwell, New Jersey

Long Beach Island Foundation of the Arts & Sciences

The Typist

From the archives of the “queer Smithsonian,” San Francisco’s GLBT Historical Society, comes the forgotten history of a gay Korean War veteran tasked with writing the military discharges of outed gay seamen. THE TYPIST (Hot Docs 2015) details a conflicted clerk’s participation in discrimination and his divided allegiance to homosexuality and heroism. THE TYPIST is a Staff Pick on Vimeo and an official selection of Short of the Week.

THE TYPIST has toured in festivals internationally, inspired a feature length Buzzfeed article on LGBTQ military experiences, screened at the National Gallery of Art, and played on Alaska Airlines.


Press

Buzzfeed. This Veteran’s Job was Discharging Gay Sailors in the Navy

POV Magazine. What’s Up, Doc?

KALW. Frameline Film Festival brings to life the oral history of gay Navy man

KQED. The Typist – Interview with Kristine Stolakis

Unseen Films. DOC NYC 2015 Shorts: Points of View


Past Screenings

Hot Docs International Film Festival. Toronto, Canada

DOC NYC. New York, New York

Seattle International Film Festival. Seattle, Washington

National Gallery of Art. Washington D.C.

Alaska Airlines

Frameline. San Francisco, California

Outfest. Los Angeles, California

Frontline Club of London. London, England

European Independent Film Festival. Paris, France

Cleveland International Film Festival. Cleveland, Ohio

Daegu Queer Film Festival. Daegu, South Korea

El Lugar Sin Limites. Various cities, Venezuela & Chile

MixMexico! México DF, México

Mirror Mountain Film Festival. Ottawa, Canada

San Francisco DocFest. San Francisco, California

Melbourne Queer Film Festival. Melbourne, Australia

Tallgrass Film Festival. Wichita, Kansas

Reeling: The Chicago LGBTQ+ International Film Festival. Chicago, Illinois

Cabriolet Film Festival. Beirut, Lebanon

Side by Side International Film Festival. Saint Petersburg, Russia

MiFo LGBTQ Film Festival. Miami, Florida

Appalachian Queer Film Festival. Morgantown, West Virginia

Fargo-Moorhead LGBT Film Festival. Moorhead, Minnesota

CMG Short Film Festival. West Hollywood, California

Southwest Gay and Lesbian Film Festival. Albuquerque, New Mexico

PERLEN Queer Film Festival. Hannover, Germany

NewFest. New York, New York

Roxie Theater. San Francisco, California

Mostra La Ploma. International Film and Culture Festival for Sexual, Gender and Family Diversity. Valencia, Argentina


Community and Educational Screenings

UCLA School of Theater, Film and Television. Los Angeles, California

Stanford University. Stanford, California

The American University of Rome. Rome, Italy

California State University, Long Beach. Long Beach, California

PFLAG. Panama City, Florida

LGBT Veterans Recognition Ceremony, hosted by Stonewall Columbus. Columbus, Ohio

The University of Delaware. Newark, Delaware


Awards

Toronto Film and Video Association, Nominee Best Short Documentary

Pride Foundation, Nominee Best LGBTQ Documentary

Black Maria Film Festival, Jury’s Selection 3rd Prize

Balancing Act

BALANCING ACT tells the story of a circus artist bringing to life a forgotten history of African American performance.


PRESS

The Atlantic, 2016. Editor’s Pick. Balancing Act: Preserving the Rhythm of Enslaved Africans in America


AWARDS

San Francisco Black Film Festival, Nominee Best Local Film


SCREENINGS

Harlem International Film Festival

San Francisco Documentary Festival

Hayti Heritage Film Festival

San Francisco Black Film Festival

Stanford University

The Accidental Environmentalist

THE ACCIDENTAL ENVIRONMENTALIST tells the story of John Wathen, whose personal brush with toxic chemicals transformed him from an average Alabama native to an internationally recognized environmentalist. You can watch the full film on Yahoo’s Viewfinder series.

The film was made in partnership with the Southern Environmental Law Center’s Southern Exposure Mediamaking Fellowship.


AWARDS

Winner, Spirit of Activism Award, Wild and Scenic Film Festival


SCREENINGS

Wild & Scenic Film Festival

Sidewalk Film Festival

Princeton Environmental Film Festival

COMMUNITY AND EDUCATIONAL SCREENINGS

Coosa Valley Sierra Club

University of Alabama

Birmingham Botanical Gardens

Dekalb Theater – Fort Payne, Alabama

The Crescent Theater – Mobile, Alabama September 2014

Comer Auditorium – Montevallo, Alabama, November 2014

Bama Arts Theater

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